小王庄的王老大（梁庆刚 饰）人虽笨，霸刀但忠厚纯朴善良。生产队长李永绪（陈国典 饰）夫妇见他独自一人生活不易，霸刀给他张罗婚事几番不成，原因就是女方嫌他笨。三年自然灾害期间，王老大结识了携儿带女逃荒的寡妇大翠（韩桂菊 饰），在村里人冷嘲热讽中毅然与大翠成了亲。从此，王老大在大灾之年挑起了五口之家，他苦干一年，年终分红一分没有，反而欠队里几十元的口粮钱。他不忍寒冬腊月孩子们穿不上棉衣，冒着挨批斗的风险，顶着风雪上山砍柴，为得是过年时孩子们能穿上新棉衣，却不料滑下山涧摔死了。公社副主任（常文治 饰）把他的死归结为走资本主义道路的必然下场，李永绪听后实在忍不住了......
东于哲
回复 :小学生张蚂蚱（刘韫涛）家邻公安警犬训练基地，没事同表弟二秃爬上树盯看公安训练警犬时，两人爱上了凶猛、聪明的狼犬“黑狮”，并想法令它与家犬“山虎”配种。不久，“黑狮”在执行任务中死亡，“山虎”产下“公主”、“狼牙”一雌一雄两只狼犬，被蚂蚱视作珍宝。渐渐长大的两只狼犬威风堪比父亲。暑假到来，蚂蚱带上两只狼犬进城看姐姐张菊（石荣），准备顺便给它们领犬证。公交车上，售票员偷走某乘客现金若干，塞进蚂蚱的书包。张菊发现蚂蚱书包里的钱后，将蚂蚱盘问一番，没问出个所以然，拿去私用，不久，张菊遭遇祸事，被盗窃集团头目段飞（刘廷尧）威逼，蚂蚱找寻姐姐的过程中，两只狼犬派上用途，一路惊险，却帮上公安尤其打入盗窃集团内部的牛伍（张志忠）的大忙，但悲事在皆大欢喜一刻发生。
原子鏸
回复 :故事发生在车水马龙的繁华大都市伦敦，在事业上非常成功的女记者耶尔玛（比莉·派佩 Billie Piper 饰）和丈夫约翰（布伦丹·考威尔 Brendan Cowell 饰）过着看似幸福美满的生活，然而，这场婚姻在平静的表面之下早已经千疮百孔了。耶尔玛非常想要一个孩子，可是，约翰无法令她怀孕，这是她痛苦的根源，两人之间因为孩子的问题，不断的发生争执和矛盾，关系一步一步的恶化。维克多（约翰·麦克米兰 John MacMillan 饰）是约翰最好的朋友，约翰总是会向他倾诉他和耶尔玛之间的争端。实际上，维克多一直深爱着耶尔玛，耶尔玛亦对自己当初的选择充满了后悔之情。耶尔玛向维克多投怀送抱，但维克多坚守了自己同约翰的友谊，拒绝了耶尔玛。
三声缘
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
