剧情简介
讲述了“赵喜娜”率队的消防员们在一次救火行动后竟遭遇人生最大挑战：中文字幕中文要照顾从火场救出的三位萌娃，中文字幕中文直到他们被爸妈接走。队员们“被迫营业”变身奶爸，人小鬼大的姐弟三人组彻底颠覆了消防队的日常生活，状况百出笑料不断，而烈火英雄硬核带娃竟也萌出天际！影片将于2019年11月8日北美上映。
中文字幕av一区中文幕天堂
讲述了“赵喜娜”率队的消防员们在一次救火行动后竟遭遇人生最大挑战：中文字幕中文要照顾从火场救出的三位萌娃，中文字幕中文直到他们被爸妈接走。队员们“被迫营业”变身奶爸，人小鬼大的姐弟三人组彻底颠覆了消防队的日常生活，状况百出笑料不断，而烈火英雄硬核带娃竟也萌出天际！影片将于2019年11月8日北美上映。
左光平
回复 :故事紧接着上一集发展，小狗贝多芬和露西终于走到了一起，过上了幸福的生活，露西还为贝多芬生下了四只可爱的小狗，一家人其乐融融。然而，这四只小狗崽却让孩子们陷入了烦恼之中，如果让爸爸知道家里一下子多了这四个小家伙，那还不非得翻了天不可。虽然挨了老爸一顿臭骂，但善良的布鲁诺先生（凯文·杜恩 Kevin Dunn 饰）还是收留了贝多芬和露西的孩子们，一家人前往宁静的小村开始了悠闲的度假。然而他们并不知道的是，布鲁诺的前妻瑞吉娜（黛比·玛扎 Debi Mazar 饰）早已经盯上了小狗崽们，她想将它们偷到手，卖掉大赚一笔。得知此事的贝多芬率先行动，带领妻儿躲到了山中，瑞吉娜紧随其后。
廖佩伶
回复 :迈克（库尔特•拉塞尔饰）是一个经常与死神打交道的特技演员，久经刺激之后，他俨然成为一个变态杀人狂。一天，他穿上行头，照样开着那印有骷髅图案的汽车上路寻找猎物。在午夜酒吧，他接近了一些年轻女人（罗莎里奥•道森、范妮莎•费丽托、乔丹•莱德、罗丝•麦高恩等饰）。在喋喋不休的她们离开酒吧后，迈克展开了行动，那辆诡异的汽车，便是他的致命凶器。一段时间后，李（玛丽•伊丽莎白•文斯蒂德饰）和她的朋友们（佐伊•贝尔等饰）结伴开车兜风，一路上有完没完地闲聊。此时脸上有疤，目露凶光的迈克又在暗处盯上了她们并一路跟踪，他还能继续可怕的疯狂杀戮吗？
李加靓
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
